Tag: Adventure

  • The Shoes of Fortune 03 "The Watchman's Adventure"

    The Shoes of Fortune 03 “The Watchman’s Adventure”


    “The Shoes of Fortune” the Short Story was Written by Hans Christian Andersen; “Why, there is a pair of galoshes, as sure as I’m alive!” said the watchman, awaking from a gentle slumber. “They belong no doubt to the lieutenant who lives over the way. They lie close to the door.”

    The worthy man was inclined to ring and deliver them at the house, for there was still a light in the window; but he did not like disturbing the other people in their beds, and so very considerately he left the matter alone.

    “Such a pair of shoes must be very warm and comfortable,” said he; “the leather is so soft and supple.” They fitted his feet as though they had been made for him. “‘Tis a curious world we live in,” continued he, soliloquizing. “There is the lieutenant, now, who might go quietly to bed if he chose, where no doubt he could stretch himself at his ease; but does he do it? No; he saunters up and down his room, because, probably, he has enjoyed too many of the good things of this world at his dinner. That’s a happy fellow! He has neither an infirm mother, nor a whole troop of everlastingly hungry children to torment him. Every evening he goes to a party, where his nice supper costs him nothing: would to Heaven I could but change with him! How happy should I be!”

    While expressing his wish, the charm of the shoes, which he had put on, began to work; the watchman entered into the being and nature of the lieutenant. He stood in the handsomely furnished apartment, and held between his fingers a small sheet of rose-colored paper, on which some verses were written—written indeed by the officer himself; for who has not, at least once in his life, had a lyrical moment? And if one then marks down one’s thoughts, poetry is produced. But here was written:

    OH, WERE I RICH!

    “Oh, were I rich! Such was my wish, yea such
    When hardly three feet high, I longed for much.
    Oh, were I rich! an officer were I,
    With sword, and uniform, and plume so high.
    And the time came, and officer was I!
    But yet I grew not rich. Alas, poor me!
    Have pity, Thou, who all man’s wants dost see.

    “I sat one evening sunk in dreams of bliss,
    A maid of seven years old gave me a kiss,
    I at that time was rich in poesy
    And tales of old, though poor as poor could be;
    But all she asked for was this poesy.
    Then was I rich, but not in gold, poor me!
    As Thou dost know, who all men’s hearts canst see.

    “Oh, were I rich! Oft asked I for this boon.
    The child grew up to womanhood full soon.
    She is so pretty, clever, and so kind
    Oh, did she know what’s hidden in my mind—
    A tale of old. Would she to me were kind!
    But I’m condemned to silence! oh, poor me!
    As Thou dost know, who all men’s hearts canst see.

    “Oh, were I rich in calm and peace of mind,
    My grief you then would not here written find!
    O thou, to whom I do my heart devote,
    Oh read this page of glad days now remote,
    A dark, dark tale, which I tonight devote!
    Dark is the future now. Alas, poor me!
    Have pity Thou, who all men’s pains dost see.”

    Such verses as these people write when they are in love! But no man in his senses ever thinks of printing them. Here one of the sorrows of life, in which there is real poetry, gave itself vent; not that barren grief which the poet may only hint at, but never depict in its detail—misery and want: that animal necessity, in short, to snatch at least at a fallen leaf of the bread-fruit tree, if not at the fruit itself. The higher the position in which one finds oneself transplanted, the greater is the suffering. Everyday necessity is the stagnant pool of life—no lovely picture reflects itself therein. Lieutenant, love, and lack of money—that is a symbolic triangle, or much the same as the half of the shattered die of Fortune. This the lieutenant felt most poignantly, and this was the reason he leant his head against the window, and sighed so deeply.

    “The poor watchman out there in the street is far happier than I. He knows not what I term privation. He has a home, a wife, and children, who weep with him over his sorrows, who rejoice with him when he is glad. Oh, far happier were I, could I exchange with him my being—with his desires and with his hopes perform the weary pilgrimage of life! Oh, he is a hundred times happier than I!”

    In the same moment the watchman was again watchman. It was the shoes that caused the metamorphosis by means of which, unknown to himself, he took upon him the thoughts and feelings of the officer; but, as we have just seen, he felt himself in his new situation much less contented, and now preferred the very thing which but some minutes before he had rejected. So then the watchman was again watchman.

    “That was an unpleasant dream,” said he; “but ’twas droll enough altogether. I fancied that I was the lieutenant over there: and yet the thing was not very much to my taste after all. I missed my good old mother and the dear little ones; who almost tear me to pieces for sheer love.”

    He seated himself once more and nodded: the dream continued to haunt him, for he still had the shoes on his feet. A falling star shone in the dark firmament.

    “There falls another star,” said he: “but what does it matter; there are always enough left. I should not much mind examining the little glimmering things somewhat nearer, especially the moon; for that would not slip so easily through a man’s fingers. When we die—so at least says the student, for whom my wife does the washing—we shall fly about as light as a feather from one such a star to the other. That’s, of course, not true: but ‘twould be pretty enough if it were so. If I could but once take a leap up there, my body might stay here on the steps for what I care.”

    Behold—there are certain things in the world to which one ought never to give utterance except with the greatest caution; but doubly careful must one be when we have the Shoes of Fortune on our feet. Now just listen to what happened to the watchman.

    As to ourselves, we all know the speed produced by the employment of steam; we have experienced it either on railroads, or in boats when crossing the sea; but such a flight is like the travelling of a sloth in comparison with the velocity with which light moves. It flies nineteen million times faster than the best race-horse; and yet electricity is quicker still. Death is an electric shock which our heart receives; the freed soul soars upwards on the wings of electricity. The sun’s light wants eight minutes and some seconds to perform a journey of more than twenty million of our Danish [*] miles; borne by electricity, the soul wants even some minutes less to accomplish the same flight. To it the space between the heavenly bodies is not greater than the distance between the homes of our friends in town is for us, even if they live a short way from each other; such an electric shock in the heart, however, costs us the use of the body here below; unless, like the watchman of East Street, we happen to have on the Shoes of Fortune.

    A Danish mile is nearly 4 3/4 English.

    In a few seconds the watchman had done the fifty-two thousand of our miles up to the moon, which, as everyone knows, was formed out of matter much lighter than our earth; and is, so we should say, as soft as newly-fallen snow. He found himself on one of the many circumjacent mountain-ridges with which we are acquainted by means of Dr. Madler’s “Map of the Moon.” Within, down it sunk perpendicularly into a caldron, about a Danish mile in depth; while below lay a town, whose appearance we can, in some measure, realize to ourselves by beating the white of an egg in a glass of water. The matter of which it was built was just as soft, and formed similar towers, and domes, and pillars, transparent and rocking in the thin air; while above his head our earth was rolling like a large fiery ball.

    He perceived immediately a quantity of beings who were certainly what we call “men”; yet they looked different to us. A far more correct imagination than that of the pseudo-Herschel* had created them; and if they had been placed in rank and file, and copied by some skilful painter’s hand, one would, without doubt, have exclaimed involuntarily, “What a beautiful arabesque!”

    This relates to a book published some years ago in Germany, and said to be by Herschel, which contained a description of the moon and its inhabitants, written with such a semblance of truth that many were deceived by the imposture.

    Probably a translation of the celebrated Moon hoax, written by Richard A. Locke, and originally published in New York.

    They had a language too; but surely nobody can expect that the soul of the watchman should understand it. Be that as it may, it did comprehend it; for in our souls there germinate far greater powers than we poor mortals, despite all our cleverness, have any notion of. Does she not show us—she the queen in the land of enchantment—her astounding dramatic talent in all our dreams? There every acquaintance appears and speaks upon the stage, so entirely in character, and with the same tone of voice, that none of us, when awake, were able to imitate it. How well can she recall persons to our mind, of whom we have not thought for years; when suddenly they step forth “every inch a man,” resembling the real personages, even to the finest features, and become the heroes or heroines of our world of dreams. In reality, such remembrances are rather unpleasant: every sin, every evil thought, may, like a clock with alarm or chimes, be repeated at pleasure; then the question is if we can trust ourselves to give an account of every unbecoming word in our heart and on our lips.

    The watchman’s spirit understood the language of the inhabitants of the moon pretty well. The Selenites* disputed variously about our earth, and expressed their doubts if it could be inhabited: the air, they said, must certainly be too dense to allow any rational dweller in the moon the necessary free respiration. They considered the moon alone to be inhabited: they imagined it was the real heart of the universe or planetary system, on which the genuine Cosmopolites, or citizens of the world, dwelt. What strange things men—no, what strange things Selenites sometimes take into their heads!

    Dwellers in the moon.

    About politics they had a good deal to say. But little Denmark must take care what it is about, and not run counter to the moon; that great realm, that might in an ill-humor bestir itself, and dash down a hail-storm in our faces, or force the Baltic to overflow the sides of its gigantic basin.

    We will, therefore, not listen to what was spoken, and on no condition run in the possibility of telling tales out of school; but we will rather proceed, like good quiet citizens, to East Street, and observe what happened meanwhile to the body of the watchman.

    He sat lifeless on the steps: the morning-star,* that is to say, the heavy wooden staff, headed with iron spikes, and which had nothing else in common with its sparkling brother in the sky, had glided from his hand; while his eyes were fixed with glassy stare on the moon, looking for the good old fellow of a spirit which still haunted it.

    The watchmen in Germany, had formerly, and in some places they still carry with them, on their rounds at night, a sort of mace or club, known in ancient times by the above denomination.

    “What’s the hour, watchman?” asked a passer-by. But when the watchman gave no reply, the merry roysterer, who was now returning home from a noisy drinking bout, took it into his head to try what a tweak of the nose would do, on which the supposed sleeper lost his balance, the body lay motionless, stretched out on the pavement: the man was dead. When the patrol came up, all his comrades, who comprehended nothing of the whole affair, were seized with a dreadful fright, for dead he was, and he remained so. The proper authorities were informed of the circumstance, people talked a good deal about it, and in the morning the body was carried to the hospital.

    Now that would be a very pretty joke, if the spirit when it came back and looked for the body in East Street, were not to find one. No doubt it would, in its anxiety, run off to the police, and then to the “Hue and Cry” office, to announce that “the finder will be handsomely rewarded,” and at last away to the hospital; yet we may boldly assert that the soul is shrewdest when it shakes off every fetter, and every sort of leading-string—the body only makes it stupid.

    The seemingly dead body of the watchman wandered, as we have said, to the hospital, where it was brought into the general viewing-room: and the first thing that was done here was naturally to pull off the galoshes—when the spirit, that was merely gone out on adventures, must have returned with the quickness of lightning to its earthly tenement. It took its direction towards the body in a straight line; and a few seconds after, life began to show itself in the man. He asserted that the preceding night had been the worst that ever the malice of fate had allotted him; he would not for two silver marks again go through what he had endured while moon-stricken; but now, however, it was over.

    The same day he was discharged from the hospital as perfectly cured; but the Shoes meanwhile remained behind.

    Next: The Shoes of Fortune 04 “A Most Strange Journey”

  • The Shoes of Fortune 02 "What Happened to the Councillor"

    The Shoes of Fortune 02 “What Happened to the Councillor”


    “The Shoes of Fortune” the Short Story was Written by Hans Christian Andersen; It was late; Councillor Knap, deeply occupied with the times of King Hans, intended to go home, and malicious Fate managed matters so that his feet, instead of finding their way to his own galoshes, slipped into those of Fortune. Thus caparisoned the good man walked out of the well-lighted rooms into East Street. By the magic power of the shoes he was carried back to the times of King Hans; on which account his foot very naturally sank in the mud and puddles of the street, there having been in those days no pavement in Copenhagen.

    “Well! This is too bad! How dirty it is here!” sighed the Councillor. “As to a pavement, I can find no traces of one, and all the lamps, it seems, have gone to sleep.”

    The moon was not yet very high; it was besides rather foggy, so that in the darkness all objects seemed mingled in chaotic confusion. At the next corner hung a votive lamp before a Madonna, but the light it gave was little better than none at all; indeed, he did not observe it before he was exactly under it, and his eyes fell upon the bright colors of the pictures which represented the well-known group of the Virgin and the infant Jesus.

    “That is probably a wax-work show,” thought he; “and the people delay taking down their sign in hopes of a late visitor or two.”

    A few persons in the costume of the time of King Hans passed quickly by him.

    “How strange they look! The good folks come probably from a masquerade!”

    Suddenly was heard the sound of drums and fifes; the bright blaze of a fire shot up from time to time, and its ruddy gleams seemed to contend with the bluish light of the torches. The Councillor stood still, and watched a most strange procession pass by. First came a dozen drummers, who understood pretty well how to handle their instruments; then came halberdiers, and some armed with cross-bows. The principal person in the procession was a priest. Astonished at what he saw, the Councillor asked what was the meaning of all this mummery, and who that man was.

    “That’s the Bishop of Zealand,” was the answer.

    “Good Heavens! What has taken possession of the Bishop?” sighed the Councillor, shaking his head. It certainly could not be the Bishop; even though he was considered the most absent man in the whole kingdom, and people told the drollest anecdotes about him. Reflecting on the matter, and without looking right or left, the Councillor went through East Street and across the Habro-Platz. The bridge leading to Palace Square was not to be found; scarcely trusting his senses, the nocturnal wanderer discovered a shallow piece of water, and here fell in with two men who very comfortably were rocking to and fro in a boat.

    “Does your honor want to cross the ferry to the Holme?” asked they.

    “Across to the Holme!” said the Councillor, who knew nothing of the age in which he at that moment was. “No, I am going to Christianshafen, to Little Market Street.”

    Both men stared at him in astonishment.

    “Only just tell me where the bridge is,” said he. “It is really unpardonable that there are no lamps here; and it is as dirty as if one had to wade through a morass.”

    The longer he spoke with the boatmen, the more unintelligible did their language become to him.

    “I don’t understand your Bornholmish dialect,” said he at last, angrily, and turning his back upon them. He was unable to find the bridge: there was no railway either. “It is really disgraceful what a state this place is in,” muttered he to himself. Never had his age, with which, however, he was always grumbling, seemed so miserable as on this evening. “I’ll take a hackney-coach!” thought he. But where were the hackney-coaches? Not one was to be seen.

    “I must go back to the New Market; there, it is to be hoped, I shall find some coaches; for if I don’t, I shall never get safe to Christianshafen.”

    So off he went in the direction of East Street, and had nearly got to the end of it when the moon shone forth.

    “God bless me! What wooden scaffolding is that which they have set up there?” cried he involuntarily, as he looked at East Gate, which, in those days, was at the end of East Street.

    He found, however, a little side-door open, and through this he went, and stepped into our New Market of the present time. It was a huge desolate plain; some wild bushes stood up here and there, while across the field flowed a broad canal or river. Some wretched hovels for the Dutch sailors, resembling great boxes, and after which the place was named, lay about in confused disorder on the opposite bank.

    “I either behold a fata morgana, or I am regularly tipsy,” whimpered out the Councillor. “But what’s this?”

    He turned round anew, firmly convinced that he was seriously ill. He gazed at the street formerly so well known to him, and now so strange in appearance, and looked at the houses more attentively: most of them were of wood, slightly put together; and many had a thatched roof.

    “No—I am far from well,” sighed he; “and yet I drank only one glass of punch; but I cannot suppose it—it was, too, really very wrong to give us punch and hot salmon for supper. I shall speak about it at the first opportunity. I have half a mind to go back again, and say what I suffer. But no, that would be too silly; and Heaven only knows if they are up still.”

    He looked for the house, but it had vanished.

    “It is really dreadful,” groaned he with increasing anxiety; “I cannot recognise East Street again; there is not a single decent shop from one end to the other! Nothing but wretched huts can I see anywhere; just as if I were at Ringstead. Oh! I am ill! I can scarcely bear myself any longer. Where the deuce can the house be? It must be here on this very spot; yet there is not the slightest idea of resemblance, to such a degree has everything changed this night! At all events here are some people up and stirring. Oh! oh! I am certainly very ill.”

    He now hit upon a half-open door, through a chink of which a faint light shone. It was a sort of hostelry of those times; a kind of public-house. The room had some resemblance to the clay-floored halls in Holstein; a pretty numerous company, consisting of seamen, Copenhagen burghers, and a few scholars, sat here in deep converse over their pewter cans, and gave little heed to the person who entered.

    “By your leave!” said the Councillor to the Hostess, who came bustling towards him. “I’ve felt so queer all of a sudden; would you have the goodness to send for a hackney-coach to take me to Christianshafen?”

    The woman examined him with eyes of astonishment, and shook her head; she then addressed him in German. The Councillor thought she did not understand Danish, and therefore repeated his wish in German. This, in connection with his costume, strengthened the good woman in the belief that he was a foreigner. That he was ill, she comprehended directly; so she brought him a pitcher of water, which tasted certainly pretty strong of the sea, although it had been fetched from the well.

    The Councillor supported his head on his hand, drew a long breath, and thought over all the wondrous things he saw around him.

    “Is this the Daily News of this evening?” he asked mechanically, as he saw the Hostess push aside a large sheet of paper.

    The meaning of this councillorship query remained, of course, a riddle to her, yet she handed him the paper without replying. It was a coarse wood-cut, representing a splendid meteor “as seen in the town of Cologne,” which was to be read below in bright letters.

    “That is very old!” said the Councillor, whom this piece of antiquity began to make considerably more cheerful. “Pray how did you come into possession of this rare print? It is extremely interesting, although the whole is a mere fable. Such meteorous appearances are to be explained in this way—that they are the reflections of the Aurora Borealis, and it is highly probable they are caused principally by electricity.”

    Those persons who were sitting nearest him and heard his speech, stared at him in wonderment; and one of them rose, took off his hat respectfully, and said with a serious countenance, “You are no doubt a very learned man, Monsieur.”

    “Oh no,” answered the Councillor, “I can only join in conversation on this topic and on that, as indeed one must do according to the demands of the world at present.”

    “Modestia is a fine virtue,” continued the gentleman; “however, as to your speech, I must say mihi secus videtur: yet I am willing to suspend my judicium.”

    “May I ask with whom I have the pleasure of speaking?” asked the Councillor.

    “I am a Bachelor in Theologia,” answered the gentleman with a stiff reverence.

    This reply fully satisfied the Councillor; the title suited the dress. “He is certainly,” thought he, “some village schoolmaster—some queer old fellow, such as one still often meets with in Jutland.”

    “This is no locus docendi, it is true,” began the clerical gentleman; “yet I beg you earnestly to let us profit by your learning. Your reading in the ancients is, sine dubio, of vast extent?”

    “Oh yes, I’ve read something, to be sure,” replied the Councillor. “I like reading all useful works; but I do not on that account despise the modern ones; ’tis only the unfortunate ‘Tales of Every-day Life’ that I cannot bear—we have enough and more than enough such in reality.”

    “‘Tales of Every-day Life?’” said our Bachelor inquiringly.

    “I mean those new fangled novels, twisting and writhing themselves in the dust of commonplace, which also expect to find a reading public.”

    “Oh,” exclaimed the clerical gentleman smiling, “there is much wit in them; besides they are read at court. The King likes the history of Sir Iffven and Sir Gaudian particularly, which treats of King Arthur, and his Knights of the Round Table; he has more than once joked about it with his high vassals.”

    “I have not read that novel,” said the Councillor; “it must be quite a new one, that Heiberg has published lately.”

    “No,” answered the theologian of the time of King Hans: “that book is not written by a Heiberg, but was imprinted by Godfrey von Gehmen.”

    “Oh, is that the author’s name?” said the Councillor. “It is a very old name, and, as well as I recollect, he was the first printer that appeared in Denmark.”

    “Yes, he is our first printer,” replied the clerical gentleman hastily.

    So far all went on well. Some one of the worthy burghers now spoke of the dreadful pestilence that had raged in the country a few years back, meaning that of 1484. The Councillor imagined it was the cholera that was meant, which people made so much fuss about; and the discourse passed off satisfactorily enough. The war of the buccaneers of 1490 was so recent that it could not fail being alluded to; the English pirates had, they said, most shamefully taken their ships while in the roadstead; and the Councillor, before whose eyes the Herostratic [*] event of 1801 still floated vividly, agreed entirely with the others in abusing the rascally English. With other topics he was not so fortunate; every moment brought about some new confusion, and threatened to become a perfect Babel; for the worthy Bachelor was really too ignorant, and the simplest observations of the Councillor sounded to him too daring and phantastical. They looked at one another from the crown of the head to the soles of the feet; and when matters grew to too high a pitch, then the Bachelor talked Latin, in the hope of being better understood—but it was of no use after all.

    Herostratus, or Eratostratus—an Ephesian, who wantonly
    set fire to the famous temple of Diana, in order to
    commemorate his name by so uncommon an action.

    “What’s the matter?” asked the Hostess, plucking the Councillor by the sleeve; and now his recollection returned, for in the course of the conversation he had entirely forgotten all that had preceded it.

    “Merciful God, where am I!” exclaimed he in agony; and while he so thought, all his ideas and feelings of overpowering dizziness, against which he struggled with the utmost power of desperation, encompassed him with renewed force. “Let us drink claret and mead, and Bremen beer,” shouted one of the guests—”and you shall drink with us!”

    Two maidens approached. One wore a cap of two staring colors, denoting the class of persons to which she belonged. They poured out the liquor, and made the most friendly gesticulations; while a cold perspiration trickled down the back of the poor Councillor.

    “What’s to be the end of this! What’s to become of me!” groaned he; but he was forced, in spite of his opposition, to drink with the rest. They took hold of the worthy man; who, hearing on every side that he was intoxicated, did not in the least doubt the truth of this certainly not very polite assertion; but on the contrary, implored the ladies and gentlemen present to procure him a hackney-coach: they, however, imagined he was talking Russian.

    Never before, he thought, had he been in such a coarse and ignorant company; one might almost fancy the people had turned heathens again. “It is the most dreadful moment of my life: the whole world is leagued against me!” But suddenly it occurred to him that he might stoop down under the table, and then creep unobserved out of the door. He did so; but just as he was going, the others remarked what he was about; they laid hold of him by the legs; and now, happily for him, off fell his fatal shoes—and with them the charm was at an end.

    The Councillor saw quite distinctly before him a lantern burning, and behind this a large handsome house. All seemed to him in proper order as usual; it was East Street, splendid and elegant as we now see it. He lay with his feet towards a doorway, and exactly opposite sat the watchman asleep.

    “Gracious Heaven!” said he. “Have I lain here in the street and dreamed? Yes; ’tis East Street! How splendid and light it is! But really it is terrible what an effect that one glass of punch must have had on me!”

    Two minutes later, he was sitting in a hackney-coach and driving to Frederickshafen. He thought of the distress and agony he had endured, and praised from the very bottom of his heart the happy reality—our own time—which, with all its deficiencies, is yet much better than that in which, so much against his inclination, he had lately been.

    Next: The Shoes of Fortune 03 “The Watchman’s Adventure”

  • The Shoes of Fortune 01 "A Beginning"

    The Shoes of Fortune 01 “A Beginning”


    “The Shoes of Fortune” the Short Story was Written by Hans Christian Andersen; Every author has some peculiarity in his descriptions or in his style of writing. Those who do not like him, magnify it, shrug up their shoulders, and exclaim—there he is again! I, for my part, know very well how I can bring about this movement and this exclamation. It would happen immediately if I were to begin here, as I intended to do, with: “Rome has its Corso, Naples its Toledo”—”Ah! that Andersen; there he is again!” they would cry; yet I must, to please my fancy, continue quite quietly, and add: “But Copenhagen has its East Street.”

    Here, then, we will stay for the present. In one of the houses not far from the new market a party was invited—a very large party, in order, as is often the case, to get a return invitation from the others. One half of the company was already seated at the card-table, the other half awaited the result of the stereotype preliminary observation of the lady of the house:

    “Now let us see what we can do to amuse ourselves.”

    They had got just so far, and the conversation began to crystallize, as it could but do with the scanty stream which the commonplace world supplied. Amongst other things they spoke of the middle ages: some praised that period as far more interesting, far more poetical than our own too sober present; indeed, Councillor Knap defended this opinion so warmly, that the hostess declared immediately on his side, and both exerted themselves with unwearied eloquence. The Councillor boldly declared the time of King Hans to be the noblest and the most happy period.

    While the conversation turned on this subject, and was only for a moment interrupted by the arrival of a journal that contained nothing worth reading, we will just step out into the antechamber, where cloaks, mackintoshes, sticks, umbrellas, and shoes, were deposited. Here sat two female figures, a young and an old one. One might have thought at first they were servants come to accompany their mistresses home; but on looking nearer, one soon saw they could scarcely be mere servants; their forms were too noble for that, their skin too fine, the cut of their dress too striking. Two fairies were they; the younger, it is true, was not Dame Fortune herself, but one of the waiting-maids of her handmaidens who carry about the lesser good things that she distributes; the other looked extremely gloomy—it was Care. She always attends to her own serious business herself, as then she is sure of having it done properly.

    They were telling each other, with a confidential interchange of ideas, where they had been during the day. The messenger of Fortune had only executed a few unimportant commissions, such as saving a new bonnet from a shower of rain, etc.; but what she had yet to perform was something quite unusual.

    “I must tell you,” said she, “that to-day is my birthday; and in honor of it, a pair of walking-shoes or galoshes has been entrusted to me, which I am to carry to mankind. These shoes possess the property of instantly transporting him who has them on to the place or the period in which he most wishes to be; every wish, as regards time or place, or state of being, will be immediately fulfilled, and so at last man will be happy, here below.”

    “Do you seriously believe it?” replied Care, in a severe tone of reproach. “No; he will be very unhappy, and will assuredly bless the moment when he feels that he has freed himself from the fatal shoes.”

    “Stupid nonsense!” said the other angrily. “I will put them here by the door. Someone will make a mistake for certain and take the wrong ones—he will be a happy man.”

    Such was their conversation.

    Next: The Shoes of Fortune 02 “What Happened to the Councillor”

  • The Swineherd

    The Swineherd


    “The Swineherd” the Short Story was Written by Hans Christian Andersen; There was once a poor Prince, who had a kingdom. His kingdom was very small, but still quite large enough to marry upon; and he wished to marry.

    It was certainly rather cool of him to say to the Emperor’s daughter, “Will you have me?” But so he did; for his name was renowned far and wide; and there were a hundred princesses who would have answered, “Yes!” and “Thank you kindly.” We shall see what this princess said. Listen!

    It happened that where the Prince’s father lay buried, there grew a rose tree—a most beautiful rose tree, which blossomed only once in every five years, and even then bore only one flower, but that was a rose! It smelt so sweet that all cares and sorrows were forgotten by him who inhaled its fragrance.

    And furthermore, the Prince had a nightingale, who could sing in such a manner that it seemed as though all sweet melodies dwelt in her little throat. So the Princess was to have the rose, and the nightingale; and they were accordingly put into large silver caskets, and sent to her.

    The Emperor had them brought into a large hall, where the Princess was playing at “Visiting,” with the ladies of the court; and when she saw the caskets with the presents, she clapped her hands for joy.

    The Swineherd 01

    “Ah, if it were but a little pussy-cat!” said she; but the rose tree, with its beautiful rose came to view.

    “Oh, how prettily it is made!” said all the court ladies.

    “It is more than pretty,” said the Emperor, “it is charming!”

    But the Princess touched it, and was almost ready to cry.

    “Fie, papa!” said she. “It is not made at all, it is natural!”

    “Let us see what is in the other casket, before we get into a bad humor,” said the Emperor. So the nightingale came forth and sang so delightfully that at first no one could say anything ill-humored of her.

    “Superbe! Charmant!” exclaimed the ladies; for they all used to chatter French, each one worse than her neighbor.

    “How much the bird reminds me of the musical box that belonged to our blessed Empress,” said an old knight. “Oh yes! These are the same tones, the same execution.”

    “Yes! yes!” said the Emperor, and he wept like a child at the remembrance.

    “I will still hope that it is not a real bird,” said the Princess.

    “Yes, it is a real bird,” said those who had brought it. “Well then let the bird fly,” said the Princess; and she positively refused to see the Prince.

    However, he was not to be discouraged; he daubed his face over brown and black; pulled his cap over his ears, and knocked at the door.

    “Good day to my lord, the Emperor!” said he. “Can I have employment at the palace?”

    “Why, yes,” said the Emperor. “I want some one to take care of the pigs, for we have a great many of them.”

    The Swineherd 02

    So the Prince was appointed “Imperial Swineherd.” He had a dirty little room close by the pigsty; and there he sat the whole day, and worked. By the evening he had made a pretty little kitchen-pot. Little bells were hung all round it; and when the pot was boiling, these bells tinkled in the most charming manner, and played the old melody,

    “Ach! du lieber Augustin,
    Alles ist weg, weg, weg!”*

    * “Ah! dear Augustine!
    All is gone, gone, gone!”

    But what was still more curious, whoever held his finger in the smoke of the kitchen-pot, immediately smelt all the dishes that were cooking on every hearth in the city—this, you see, was something quite different from the rose.

    Now the Princess happened to walk that way; and when she heard the tune, she stood quite still, and seemed pleased; for she could play “Lieber Augustine”; it was the only piece she knew; and she played it with one finger.

    “Why there is my piece,” said the Princess. “That swineherd must certainly have been well educated! Go in and ask him the price of the instrument.”

    So one of the court-ladies must run in; however, she drew on wooden slippers first.

    “What will you take for the kitchen-pot?” said the lady.

    “I will have ten kisses from the Princess,” said the swineherd.

    “Yes, indeed!” said the lady.

    “I cannot sell it for less,” rejoined the swineherd.

    “He is an impudent fellow!” said the Princess, and she walked on; but when she had gone a little way, the bells tinkled so prettily

    “Ach! du lieber Augustin,
    Alles ist weg, weg, weg!”

    “Stay,” said the Princess. “Ask him if he will have ten kisses from the ladies of my court.”

    “No, thank you!” said the swineherd. “Ten kisses from the Princess, or I keep the kitchen-pot myself.”

    “That must not be, either!” said the Princess. “But do you all stand before me that no one may see us.”

    And the court-ladies placed themselves in front of her, and spread out their dresses—the swineherd got ten kisses, and the Princess—the kitchen-pot.

    The Swineherd 04

    That was delightful! The pot was boiling the whole evening, and the whole of the following day. They knew perfectly well what was cooking at every fire throughout the city, from the chamberlain’s to the cobbler’s; the court-ladies danced and clapped their hands.

    “We know who has soup, and who has pancakes for dinner to-day, who has cutlets, and who has eggs. How interesting!”

    “Yes, but keep my secret, for I am an Emperor’s daughter.”

    The swineherd—that is to say—the Prince, for no one knew that he was other than an ill-favored swineherd, let not a day pass without working at something; he at last constructed a rattle, which, when it was swung round, played all the waltzes and jig tunes, which have ever been heard since the creation of the world.

    “Ah, that is superbe!” said the Princess when she passed by. “I have never heard prettier compositions! Go in and ask him the price of the instrument; but mind, he shall have no more kisses!”

    “He will have a hundred kisses from the Princess!” said the lady who had been to ask.

    “I think he is not in his right senses!” said the Princess, and walked on, but when she had gone a little way, she stopped again. “One must encourage art,” said she, “I am the Emperor’s daughter. Tell him he shall, as on yesterday, have ten kisses from me, and may take the rest from the ladies of the court.”

    “Oh—but we should not like that at all!” said they. “What are you muttering?” asked the Princess. “If I can kiss him, surely you can. Remember that you owe everything to me.” So the ladies were obliged to go to him again.

    “A hundred kisses from the Princess,” said he, “or else let everyone keep his own!”

    “Stand round!” said she; and all the ladies stood round her whilst the kissing was going on.

    “What can be the reason for such a crowd close by the pigsty?” said the Emperor, who happened just then to step out on the balcony; he rubbed his eyes, and put on his spectacles. “They are the ladies of the court; I must go down and see what they are about!” So he pulled up his slippers at the heel, for he had trodden them down.

    As soon as he had got into the court-yard, he moved very softly, and the ladies were so much engrossed with counting the kisses, that all might go on fairly, that they did not perceive the Emperor. He rose on his tiptoes.

    “What is all this?” said he, when he saw what was going on, and he boxed the Princess’s ears with his slipper, just as the swineherd was taking the eighty-sixth kiss.

    “March out!” said the Emperor, for he was very angry; and both Princess and swineherd were thrust out of the city.

    The Princess now stood and wept, the swineherd scolded, and the rain poured down.

    “Alas! Unhappy creature that I am!” said the Princess. “If I had but married the handsome young Prince! Ah! how unfortunate I am!”

    And the swineherd went behind a tree, washed the black and brown color from his face, threw off his dirty clothes, and stepped forth in his princely robes; he looked so noble that the Princess could not help bowing before him.

    “I am come to despise thee,” said he. “Thou would’st not have an honorable Prince! Thou could’st not prize the rose and the nightingale, but thou wast ready to kiss the swineherd for the sake of a trumpery plaything. Thou art rightly served.”

    He then went back to his own little kingdom, and shut the door of his palace in her face. Now she might well sing,

    “Ach! du lieber Augustin,
    Alles ist weg, weg, weg!”

    The Swineherd 05

  • The Story of a Mother

    The Story of a Mother


    “The Story of a Mother” the Short Story was Written by Hans Christian Andersen; A mother sat there with her little child. She was so downcast, so afraid that it should die! It was so pale, the small eyes had closed themselves, and it drew its breath so softly, now and then, with a deep respiration, as if it sighed; and the mother looked still more sorrowfully on the little creature.

    Then a knocking was heard at the door, and in came a poor old man wrapped up as in a large horse-cloth, for it warms one, and he needed it, as it was the cold winter season! Everything out-of-doors was covered with ice and snow, and the wind blew so that it cut the face.

    As the old man trembled with cold, and the little child slept a moment, the mother went and poured some ale into a pot and set it on the stove, that it might be warm for him; the old man sat and rocked the cradle, and the mother sat down on a chair close by him, and looked at her little sick child that drew its breath so deep, and raised its little hand.

    “Do you not think that I shall save him?” said she. “Our Lord will not take him from me!”

    And the old man—it was Death himself—he nodded so strangely, it could just as well signify yes as no. And the mother looked down in her lap, and the tears ran down over her cheeks; her head became so heavy—she had not closed her eyes for three days and nights; and now she slept, but only for a minute, when she started up and trembled with cold.

    “What is that?” said she, and looked on all sides; but the old man was gone, and her little child was gone—he had taken it with him; and the old clock in the corner burred, and burred, the great leaden weight ran down to the floor, bump! and then the clock also stood still.

    But the poor mother ran out of the house and cried aloud for her child.

    The Story of a Mother 01

    Out there, in the midst of the snow, there sat a woman in long, black clothes; and she said, “Death has been in thy chamber, and I saw him hasten away with thy little child; he goes faster than the wind, and he never brings back what he takes!”

    “Oh, only tell me which way he went!” said the mother. “Tell me the way, and I shall find him!”

    “I know it!” said the woman in the black clothes. “But before I tell it, thou must first sing for me all the songs thou hast sung for thy child! I am fond of them. I have heard them before; I am Night; I saw thy tears whilst thou sang’st them!”

    “I will sing them all, all!” said the mother. “But do not stop me now—I may overtake him—I may find my child!”

    But Night stood still and mute. Then the mother wrung her hands, sang and wept, and there were many songs, but yet many more tears; and then Night said, “Go to the right, into the dark pine forest; thither I saw Death take his way with thy little child!”

    The roads crossed each other in the depths of the forest, and she no longer knew whither she should go! then there stood a thorn-bush; there was neither leaf nor flower on it, it was also in the cold winter season, and ice-flakes hung on the branches.

    “Hast thou not seen Death go past with my little child?” said the mother.

    “Yes,” said the thorn-bush; “but I will not tell thee which way he took, unless thou wilt first warm me up at thy heart. I am freezing to death; I shall become a lump of ice!”

    And she pressed the thorn-bush to her breast, so firmly, that it might be thoroughly warmed, and the thorns went right into her flesh, and her blood flowed in large drops, but the thornbush shot forth fresh green leaves, and there came flowers on it in the cold winter night, the heart of the afflicted mother was so warm; and the thorn-bush told her the way she should go.

    She then came to a large lake, where there was neither ship nor boat. The lake was not frozen sufficiently to bear her; neither was it open, nor low enough that she could wade through it; and across it she must go if she would find her child! Then she lay down to drink up the lake, and that was an impossibility for a human being, but the afflicted mother thought that a miracle might happen nevertheless.

    “Oh, what would I not give to come to my child!” said the weeping mother; and she wept still more, and her eyes sunk down in the depths of the waters, and became two precious pearls; but the water bore her up, as if she sat in a swing, and she flew in the rocking waves to the shore on the opposite side, where there stood a mile-broad, strange house, one knew not if it were a mountain with forests and caverns, or if it were built up; but the poor mother could not see it; she had wept her eyes out.

    “Where shall I find Death, who took away my little child?” said she.

    “He has not come here yet!” said the old grave woman, who was appointed to look after Death’s great greenhouse! “How have you been able to find the way hither? And who has helped you?”

    “OUR LORD has helped me,” said she. “He is merciful, and you will also be so! Where shall I find my little child?”

    “Nay, I know not,” said the woman, “and you cannot see! Many flowers and trees have withered this night; Death will soon come and plant them over again! You certainly know that every person has his or her life’s tree or flower, just as everyone happens to be settled; they look like other plants, but they have pulsations of the heart. Children’s hearts can also beat; go after yours, perhaps you may know your child’s; but what will you give me if I tell you what you shall do more?”

    “I have nothing to give,” said the afflicted mother, “but I will go to the world’s end for you!”

    “Nay, I have nothing to do there!” said the woman. “But you can give me your long black hair; you know yourself that it is fine, and that I like! You shall have my white hair instead, and that’s always something!”

    “Do you demand nothing else?” said she. “That I will gladly give you!” And she gave her her fine black hair, and got the old woman’s snow-white hair instead.

    So they went into Death’s great greenhouse, where flowers and trees grew strangely into one another. There stood fine hyacinths under glass bells, and there stood strong-stemmed peonies; there grew water plants, some so fresh, others half sick, the water-snakes lay down on them, and black crabs pinched their stalks. There stood beautiful palm-trees, oaks, and plantains; there stood parsley and flowering thyme: every tree and every flower had its name; each of them was a human life, the human frame still lived—one in China, and another in Greenland—round about in the world. There were large trees in small pots, so that they stood so stunted in growth, and ready to burst the pots; in other places, there was a little dull flower in rich mould, with moss round about it, and it was so petted and nursed. But the distressed mother bent down over all the smallest plants, and heard within them how the human heart beat; and amongst millions she knew her child’s.

    “There it is!” cried she, and stretched her hands out over a little blue crocus, that hung quite sickly on one side.

    “Don’t touch the flower!” said the old woman. “But place yourself here, and when Death comes—I expect him every moment—do not let him pluck the flower up, but threaten him that you will do the same with the others. Then he will be afraid! He is responsible for them to OUR LORD, and no one dares to pluck them up before HE gives leave.”

    All at once an icy cold rushed through the great hall, and the blind mother could feel that it was Death that came.

    “How hast thou been able to find thy way hither?” he asked. “How couldst thou come quicker than I?”

    “I am a mother,” said she.

    And Death stretched out his long hand towards the fine little flower, but she held her hands fast around his, so tight, and yet afraid that she should touch one of the leaves. Then Death blew on her hands, and she felt that it was colder than the cold wind, and her hands fell down powerless.

    The Story of a Mother 02

    “Thou canst not do anything against me!” said Death.

    “But OUR LORD can!” said she.

    “I only do His bidding!” said Death. “I am His gardener, I take all His flowers and trees, and plant them out in the great garden of Paradise, in the unknown land; but how they grow there, and how it is there I dare not tell thee.”

    “Give me back my child!” said the mother, and she wept and prayed. At once she seized hold of two beautiful flowers close by, with each hand, and cried out to Death, “I will tear all thy flowers off, for I am in despair.”

    “Touch them not!” said Death. “Thou say’st that thou art so unhappy, and now thou wilt make another mother equally unhappy.”

    “Another mother!” said the poor woman, and directly let go her hold of both the flowers.

    “There, thou hast thine eyes,” said Death; “I fished them up from the lake, they shone so bright; I knew not they were thine. Take them again, they are now brighter than before; now look down into the deep well close by; I shall tell thee the names of the two flowers thou wouldst have torn up, and thou wilt see their whole future life—their whole human existence: and see what thou wast about to disturb and destroy.”

    And she looked down into the well; and it was a happiness to see how the one became a blessing to the world, to see how much happiness and joy were felt everywhere. And she saw the other’s life, and it was sorrow and distress, horror, and wretchedness.

    “Both of them are God’s will!” said Death.

    “Which of them is Misfortune’s flower and which is that of Happiness?” asked she.

    “That I will not tell thee,” said Death; “but this thou shalt know from me, that the one flower was thy own child! it was thy child’s fate thou saw’st—thy own child’s future life!”

    Then the mother screamed with terror, “Which of them was my child? Tell it me! Save the innocent! Save my child from all that misery! Rather take it away! Take it into God’s kingdom! Forget my tears, forget my prayers, and all that I have done!”

    “I do not understand thee!” said Death. “Wilt thou have thy child again, or shall I go with it there, where thou dost not know!”

    Then the mother wrung her hands, fell on her knees, and prayed to our Lord: “Oh, hear me not when I pray against Thy will, which is the best! hear me not! hear me not!”

    And she bowed her head down in her lap, and Death took her child and went with it into the unknown land.

  • The Shadow

    The Shadow


    “The Shadow” the Short Story was Written by Hans Christian Andersen; It is in the hot lands that the sun burns, sure enough! there the people become quite a mahogany brown, ay, and in the HOTTEST lands they are burnt to Negroes. But now it was only to the HOT lands that a learned man had come from the cold; there he thought that he could run about just as when at home, but he soon found out his mistake.

    He, and all sensible folks, were obliged to stay within doors—the window-shutters and doors were closed the whole day; it looked as if the whole house slept, or there was no one at home.

    The narrow street with the high houses, was built so that the sunshine must fall there from morning till evening—it was really not to be borne.

    The learned man from the cold lands—he was a young man, and seemed to be a clever man—sat in a glowing oven; it took effect on him, he became quite meagre—even his shadow shrunk in, for the sun had also an effect on it. It was first towards evening when the sun was down, that they began to freshen up again.

    In the warm lands every window has a balcony, and the people came out on all the balconies in the street—for one must have air, even if one be accustomed to be mahogany!* It was lively both up and down the street. Tailors, and shoemakers, and all the folks, moved out into the street—chairs and tables were brought forth—and candles burnt—yes, above a thousand lights were burning—and the one talked and the other sung; and people walked and church-bells rang, and asses went along with a dingle-dingle-dong! for they too had bells on. The street boys were screaming and hooting, and shouting and shooting, with devils and detonating balls—and there came corpse bearers and hood wearers—for there were funerals with psalm and hymn—and then the din of carriages driving and company arriving: yes, it was, in truth, lively enough down in the street. Only in that single house, which stood opposite that in which the learned foreigner lived, it was quite still; and yet some one lived there, for there stood flowers in the balcony—they grew so well in the sun’s heat! and that they could not do unless they were watered—and some one must water them—there must be somebody there. The door opposite was also opened late in the evening, but it was dark within, at least in the front room; further in there was heard the sound of music. The learned foreigner thought it quite marvellous, but now—it might be that he only imagined it—for he found everything marvellous out there, in the warm lands, if there had only been no sun. The stranger’s landlord said that he didn’t know who had taken the house opposite, one saw no person about, and as to the music, it appeared to him to be extremely tiresome. “It is as if some one sat there, and practised a piece that he could not master—always the same piece. ‘I shall master it!’ says he; but yet he cannot master it, however long he plays.”

    * The word mahogany can be understood, in Danish, as having two meanings. In general, it means the reddish-brown wood itself; but in jest, it signifies “excessively fine,” which arose from an anecdote of Nyboder, in Copenhagen, (the seamen’s quarter.) A sailor’s wife, who was always proud and fine, in her way, came to her neighbor, and complained that she had got a splinter in her finger. “What of?” asked the neighbor’s wife. “It is a mahogany splinter,” said the other. “Mahogany! It cannot be less with you!” exclaimed the woman—and thence the proverb, “It is so mahogany!”—(that is, so excessively fine)—is derived.

    The Shadow 01

    One night the stranger awoke—he slept with the doors of the balcony open—the curtain before it was raised by the wind, and he thought that a strange lustre came from the opposite neighbor’s house; all the flowers shone like flames, in the most beautiful colors, and in the midst of the flowers stood a slender, graceful maiden—it was as if she also shone; the light really hurt his eyes. He now opened them quite wide—yes, he was quite awake; with one spring he was on the floor; he crept gently behind the curtain, but the maiden was gone; the flowers shone no longer, but there they stood, fresh and blooming as ever; the door was ajar, and, far within, the music sounded so soft and delightful, one could really melt away in sweet thoughts from it. Yet it was like a piece of enchantment. And who lived there? Where was the actual entrance? The whole of the ground-floor was a row of shops, and there people could not always be running through.

    One evening the stranger sat out on the balcony. The light burnt in the room behind him; and thus it was quite natural that his shadow should fall on his opposite neighbor’s wall. Yes! there it sat, directly opposite, between the flowers on the balcony; and when the stranger moved, the shadow also moved: for that it always does.

    “I think my shadow is the only living thing one sees over there,” said the learned man. “See, how nicely it sits between the flowers. The door stands half-open: now the shadow should be cunning, and go into the room, look about, and then come and tell me what it had seen. Come, now! Be useful, and do me a service,” said he, in jest. “Have the kindness to step in. Now! Art thou going?” and then he nodded to the shadow, and the shadow nodded again. “Well then, go! But don’t stay away.”

    The stranger rose, and his shadow on the opposite neighbor’s balcony rose also; the stranger turned round and the shadow also turned round. Yes! if anyone had paid particular attention to it, they would have seen, quite distinctly, that the shadow went in through the half-open balcony-door of their opposite neighbor, just as the stranger went into his own room, and let the long curtain fall down after him.

    Next morning, the learned man went out to drink coffee and read the newspapers.

    “What is that?” said he, as he came out into the sunshine. “I have no shadow! So then, it has actually gone last night, and not come again. It is really tiresome!”

    This annoyed him: not so much because the shadow was gone, but because he knew there was a story about a man without a shadow.* It was known to everybody at home, in the cold lands; and if the learned man now came there and told his story, they would say that he was imitating it, and that he had no need to do. He would, therefore, not talk about it at all; and that was wisely thought.

    Peter Schlemihl, the shadowless man.

    In the evening he went out again on the balcony. He had placed the light directly behind him, for he knew that the shadow would always have its master for a screen, but he could not entice it. He made himself little; he made himself great: but no shadow came again. He said, “Hem! hem!” but it was of no use.

    It was vexatious; but in the warm lands everything grows so quickly; and after the lapse of eight days he observed, to his great joy, that a new shadow came in the sunshine. In the course of three weeks he had a very fair shadow, which, when he set out for his home in the northern lands, grew more and more in the journey, so that at last it was so long and so large, that it was more than sufficient.

    The learned man then came home, and he wrote books about what was true in the world, and about what was good and what was beautiful; and there passed days and years—yes! many years passed away.

    One evening, as he was sitting in his room, there was a gentle knocking at the door.

    “Come in!” said he; but no one came in; so he opened the door, and there stood before him such an extremely lean man, that he felt quite strange. As to the rest, the man was very finely dressed—he must be a gentleman.

    “Whom have I the honor of speaking?” asked the learned man.

    “Yes! I thought as much,” said the fine man. “I thought you would not know me. I have got so much body. I have even got flesh and clothes. You certainly never thought of seeing me so well off. Do you not know your old shadow? You certainly thought I should never more return. Things have gone on well with me since I was last with you. I have, in all respects, become very well off. Shall I purchase my freedom from service? If so, I can do it”; and then he rattled a whole bunch of valuable seals that hung to his watch, and he stuck his hand in the thick gold chain he wore around his neck—nay! how all his fingers glittered with diamond rings; and then all were pure gems.

    “Nay; I cannot recover from my surprise!” said the learned man. “What is the meaning of all this?”

    “Something common, is it not,” said the shadow. “But you yourself do not belong to the common order; and I, as you know well, have from a child followed in your footsteps. As soon as you found I was capable to go out alone in the world, I went my own way. I am in the most brilliant circumstances, but there came a sort of desire over me to see you once more before you die; you will die, I suppose? I also wished to see this land again—for you know we always love our native land. I know you have got another shadow again; have I anything to pay to it or you? If so, you will oblige me by saying what it is.”

    “Nay, is it really thou?” said the learned man. “It is most remarkable: I never imagined that one’s old shadow could come again as a man.”

    “Tell me what I have to pay,” said the shadow; “for I don’t like to be in any sort of debt.”

    The Shadow 02

    “How canst thou talk so?” said the learned man. “What debt is there to talk about? Make thyself as free as anyone else. I am extremely glad to hear of thy good fortune: sit down, old friend, and tell me a little how it has gone with thee, and what thou hast seen at our opposite neighbor’s there—in the warm lands.”

    “Yes, I will tell you all about it,” said the shadow, and sat down: “but then you must also promise me, that, wherever you may meet me, you will never say to anyone here in the town that I have been your shadow. I intend to get betrothed, for I can provide for more than one family.”

    “Be quite at thy ease about that,” said the learned man; “I shall not say to anyone who thou actually art: here is my hand—I promise it, and a man’s bond is his word.”

    “A word is a shadow,” said the shadow, “and as such it must speak.”

    It was really quite astonishing how much of a man it was. It was dressed entirely in black, and of the very finest cloth; it had patent leather boots, and a hat that could be folded together, so that it was bare crown and brim; not to speak of what we already know it had—seals, gold neck-chain, and diamond rings; yes, the shadow was well-dressed, and it was just that which made it quite a man.

    “Now I shall tell you my adventures,” said the shadow; and then he sat, with the polished boots, as heavily as he could, on the arm of the learned man’s new shadow, which lay like a poodle-dog at his feet. Now this was perhaps from arrogance; and the shadow on the ground kept itself so still and quiet, that it might hear all that passed: it wished to know how it could get free, and work its way up, so as to become its own master.

    “Do you know who lived in our opposite neighbor’s house?” said the shadow. “It was the most charming of all beings, it was Poesy! I was there for three weeks, and that has as much effect as if one had lived three thousand years, and read all that was composed and written; that is what I say, and it is right. I have seen everything and I know everything!”

    “Poesy!” cried the learned man. “Yes, yes, she often dwells a recluse in large cities! Poesy! Yes, I have seen her—a single short moment, but sleep came into my eyes! She stood on the balcony and shone as the Aurora Borealis shines. Go on, go on—thou wert on the balcony, and went through the doorway, and then—”

    “Then I was in the antechamber,” said the shadow. “You always sat and looked over to the antechamber. There was no light; there was a sort of twilight, but the one door stood open directly opposite the other through a long row of rooms and saloons, and there it was lighted up. I should have been completely killed if I had gone over to the maiden; but I was circumspect, I took time to think, and that one must always do.”

    “And what didst thou then see?” asked the learned man.

    “I saw everything, and I shall tell all to you: but—it is no pride on my part—as a free man, and with the knowledge I have, not to speak of my position in life, my excellent circumstances—I certainly wish that you would say YOU* to me!”

    * It is the custom in Denmark for intimate acquaintances to use the second person singular, “Du,” (thou) when speaking to each other. When a friendship is formed between men, they generally affirm it, when occasion offers, either in public or private, by drinking to each other and exclaiming, “thy health,” at the same time striking their glasses together. This is called drinking “Duus”: they are then, “Duus Brodre,” (thou brothers) and ever afterwards use the pronoun “thou,” to each other, it being regarded as more familiar than “De,” (you). Father and mother, sister and brother say thou to one another—without regard to age or rank. Master and mistress say thou to their servants the superior to the inferior. But servants and inferiors do not use the same term to their masters, or superiors—nor is it ever used when speaking to a stranger, or anyone with whom they are but slightly acquainted—they then say as in English—you.

    “I beg your pardon,” said the learned man; “it is an old habit with me. YOU are perfectly right, and I shall remember it; but now you must tell me all YOU saw!”

    “Everything!” said the shadow. “For I saw everything, and I know everything!”

    “How did it look in the furthest saloon?” asked the learned man. “Was it there as in the fresh woods? Was it there as in a holy church? Were the saloons like the starlit firmament when we stand on the high mountains?”

    “Everything was there!” said the shadow. “I did not go quite in, I remained in the foremost room, in the twilight, but I stood there quite well; I saw everything, and I know everything! I have been in the antechamber at the court of Poesy.”

    “But WHAT DID you see? Did all the gods of the olden times pass through the large saloons? Did the old heroes combat there? Did sweet children play there, and relate their dreams?”

    “I tell you I was there, and you can conceive that I saw everything there was to be seen. Had you come over there, you would not have been a man; but I became so! And besides, I learned to know my inward nature, my innate qualities, the relationship I had with Poesy. At the time I was with you, I thought not of that, but always—you know it well—when the sun rose, and when the sun went down, I became so strangely great; in the moonlight I was very near being more distinct than yourself; at that time I did not understand my nature; it was revealed to me in the antechamber! I became a man! I came out matured; but you were no longer in the warm lands; as a man I was ashamed to go as I did. I was in want of boots, of clothes, of the whole human varnish that makes a man perceptible. I took my way—I tell it to you, but you will not put it in any book—I took my way to the cake woman—I hid myself behind her; the woman didn’t think how much she concealed. I went out first in the evening; I ran about the streets in the moonlight; I made myself long up the walls—it tickles the back so delightfully! I ran up, and ran down, peeped into the highest windows, into the saloons, and on the roofs, I peeped in where no one could peep, and I saw what no one else saw, what no one else should see! This is, in fact, a base world! I would not be a man if it were not now once accepted and regarded as something to be so! I saw the most unimaginable things with the women, with the men, with parents, and with the sweet, matchless children; I saw,” said the shadow, “what no human being must know, but what they would all so willingly know—what is bad in their neighbor. Had I written a newspaper, it would have been read! But I wrote direct to the persons themselves, and there was consternation in all the towns where I came. They were so afraid of me, and yet they were so excessively fond of me. The professors made a professor of me; the tailors gave me new clothes—I am well furnished; the master of the mint struck new coin for me, and the women said I was so handsome! And so I became the man I am. And I now bid you farewell. Here is my card—I live on the sunny side of the street, and am always at home in rainy weather!” And so away went the shadow. “That was most extraordinary!” said the learned man. Years and days passed away, then the shadow came again. “How goes it?” said the shadow.

    “Alas!” said the learned man. “I write about the true, and the good, and the beautiful, but no one cares to hear such things; I am quite desperate, for I take it so much to heart!”

    “But I don’t!” said the shadow. “I become fat, and it is that one wants to become! You do not understand the world. You will become ill by it. You must travel! I shall make a tour this summer; will you go with me? I should like to have a travelling companion! Will you go with me, as shadow? It will be a great pleasure for me to have you with me; I shall pay the travelling expenses!”

    “Nay, this is too much!” said the learned man.

    “It is just as one takes it!” said the shadow. “It will do you much good to travel! Will you be my shadow? You shall have everything free on the journey!”

    “Nay, that is too bad!” said the learned man.

    “But it is just so with the world!” said the shadow, “and so it will be!” and away it went again.

    The learned man was not at all in the most enviable state; grief and torment followed him, and what he said about the true, and the good, and the beautiful, was, to most persons, like roses for a cow! He was quite ill at last.

    “You really look like a shadow!” said his friends to him; and the learned man trembled, for he thought of it.

    “You must go to a watering-place!” said the shadow, who came and visited him. “There is nothing else for it! I will take you with me for old acquaintance’ sake; I will pay the travelling expenses, and you write the descriptions—and if they are a little amusing for me on the way! I will go to a watering-place—my beard does not grow out as it ought—that is also a sickness—and one must have a beard! Now you be wise and accept the offer; we shall travel as comrades!”

    And so they travelled; the shadow was master, and the master was the shadow; they drove with each other, they rode and walked together, side by side, before and behind, just as the sun was; the shadow always took care to keep itself in the master’s place. Now the learned man didn’t think much about that; he was a very kind-hearted man, and particularly mild and friendly, and so he said one day to the shadow: “As we have now become companions, and in this way have grown up together from childhood, shall we not drink ‘thou’ together, it is more familiar?”

    “You are right,” said the shadow, who was now the proper master. “It is said in a very straight-forward and well-meant manner. You, as a learned man, certainly know how strange nature is. Some persons cannot bear to touch grey paper, or they become ill; others shiver in every limb if one rub a pane of glass with a nail: I have just such a feeling on hearing you say thou to me; I feel myself as if pressed to the earth in my first situation with you. You see that it is a feeling; that it is not pride: I cannot allow you to say THOU to me, but I will willingly say THOU to you, so it is half done!”

    So the shadow said THOU to its former master.

    “This is rather too bad,” thought he, “that I must say YOU and he say THOU,” but he was now obliged to put up with it.

    So they came to a watering-place where there were many strangers, and amongst them was a princess, who was troubled with seeing too well; and that was so alarming!

    She directly observed that the stranger who had just come was quite a different sort of person to all the others; “He has come here in order to get his beard to grow, they say, but I see the real cause, he cannot cast a shadow.”

    She had become inquisitive; and so she entered into conversation directly with the strange gentleman, on their promenades. As the daughter of a king, she needed not to stand upon trifles, so she said, “Your complaint is, that you cannot cast a shadow?”

    “Your Royal Highness must be improving considerably,” said the shadow, “I know your complaint is, that you see too clearly, but it has decreased, you are cured. I just happen to have a very unusual shadow! Do you not see that person who always goes with me? Other persons have a common shadow, but I do not like what is common to all. We give our servants finer cloth for their livery than we ourselves use, and so I had my shadow trimmed up into a man: yes, you see I have even given him a shadow. It is somewhat expensive, but I like to have something for myself!”

    “What!” thought the princess. “Should I really be cured! These baths are the first in the world! In our time water has wonderful powers. But I shall not leave the place, for it now begins to be amusing here. I am extremely fond of that stranger: would that his beard should not grow, for in that case he will leave us!”

    The Shadow 03

    In the evening, the princess and the shadow danced together in the large ball-room. She was light, but he was still lighter; she had never had such a partner in the dance. She told him from what land she came, and he knew that land; he had been there, but then she was not at home; he had peeped in at the window, above and below—he had seen both the one and the other, and so he could answer the princess, and make insinuations, so that she was quite astonished; he must be the wisest man in the whole world! She felt such respect for what he knew! So that when they again danced together she fell in love with him; and that the shadow could remark, for she almost pierced him through with her eyes. So they danced once more together; and she was about to declare herself, but she was discreet; she thought of her country and kingdom, and of the many persons she would have to reign over.

    “He is a wise man,” said she to herself—”It is well; and he dances delightfully—that is also good; but has he solid knowledge? That is just as important! He must be examined.”

    So she began, by degrees, to question him about the most difficult things she could think of, and which she herself could not have answered; so that the shadow made a strange face.

    “You cannot answer these questions?” said the princess.

    “They belong to my childhood’s learning,” said the shadow. “I really believe my shadow, by the door there, can answer them!”

    “Your shadow!” said the princess. “That would indeed be marvellous!”

    “I will not say for a certainty that he can,” said the shadow, “but I think so; he has now followed me for so many years, and listened to my conversation—I should think it possible. But your royal highness will permit me to observe, that he is so proud of passing himself off for a man, that when he is to be in a proper humor—and he must be so to answer well—he must be treated quite like a man.”

    “Oh! I like that!” said the princess.

    So she went to the learned man by the door, and she spoke to him about the sun and the moon, and about persons out of and in the world, and he answered with wisdom and prudence.

    “What a man that must be who has so wise a shadow!” thought she. “It will be a real blessing to my people and kingdom if I choose him for my consort—I will do it!”

    They were soon agreed, both the princess and the shadow; but no one was to know about it before she arrived in her own kingdom.

    “No one—not even my shadow!” said the shadow, and he had his own thoughts about it!

    Now they were in the country where the princess reigned when she was at home.

    “Listen, my good friend,” said the shadow to the learned man. “I have now become as happy and mighty as anyone can be; I will, therefore, do something particular for thee! Thou shalt always live with me in the palace, drive with me in my royal carriage, and have ten thousand pounds a year; but then thou must submit to be called SHADOW by all and everyone; thou must not say that thou hast ever been a man; and once a year, when I sit on the balcony in the sunshine, thou must lie at my feet, as a shadow shall do! I must tell thee: I am going to marry the king’s daughter, and the nuptials are to take place this evening!”

    “Nay, this is going too far!” said the learned man. “I will not have it; I will not do it! It is to deceive the whole country and the princess too! I will tell everything! That I am a man, and that thou art a shadow—thou art only dressed up!”

    “There is no one who will believe it!” said the shadow. “Be reasonable, or I will call the guard!”

    “I will go directly to the princess!” said the learned man.

    “But I will go first!” said the shadow. “And thou wilt go to prison!” and that he was obliged to do—for the sentinels obeyed him whom they knew the king’s daughter was to marry.

    “You tremble!” said the princess, as the shadow came into her chamber. “Has anything happened? You must not be unwell this evening, now that we are to have our nuptials celebrated.”

    “I have lived to see the most cruel thing that anyone can live to see!” said the shadow. “Only imagine—yes, it is true, such a poor shadow-skull cannot bear much—only think, my shadow has become mad; he thinks that he is a man, and that I—now only think—that I am his shadow!”

    “It is terrible!” said the princess; “but he is confined, is he not?”

    “That he is. I am afraid that he will never recover.”

    “Poor shadow!” said the princess. “He is very unfortunate; it would be a real work of charity to deliver him from the little life he has, and, when I think properly over the matter, I am of opinion that it will be necessary to do away with him in all stillness!”

    “It is certainly hard,” said the shadow, “for he was a faithful servant!” and then he gave a sort of sigh.

    “You are a noble character!” said the princess.

    The whole city was illuminated in the evening, and the cannons went off with a bum! bum! and the soldiers presented arms. That was a marriage! The princess and the shadow went out on the balcony to show themselves, and get another hurrah!

    The learned man heard nothing of all this—for they had deprived him of life.

  • The RED Shoes

    The RED Shoes


    “The RED Shoes” the Short Story was Written by Hans Christian Andersen; There was once a little girl who was very pretty and delicate, but in summer she was forced to run about with bare feet, she was so poor, and in winter wear very large wooden shoes, which made her little insteps quite red, and that looked so dangerous!

    In the middle of the village lived old Dame Shoemaker; she sat and sewed together, as well as she could, a little pair of shoes out of old red strips of cloth; they were very clumsy, but it was a kind thought. They were meant for the little girl. The little girl was called Karen.

    On the very day her mother was buried, Karen received the red shoes, and wore them for the first time. They were certainly not intended for mourning, but she had no others, and with stocking less feet she followed the poor straw coffin in them.

    Suddenly a large old carriage drove up, and a large old lady sat in it: she looked at the little girl, felt compassion for her, and then said to the clergyman:

    “Here, give me the little girl. I will adopt her!”

    And Karen believed all this happened on account of the red shoes, but the old lady thought they were horrible, and they were burnt. But Karen herself was cleanly and nicely dressed; she must learn to read and sew; and people said she was a nice little thing, but the looking-glass said: “Thou art more than nice, thou art beautiful!”

    The RED Shoes 01

    Now the queen once travelled through the land, and she had her little daughter with her. And this little daughter was a princess, and people streamed to the castle, and Karen was there also, and the little princess stood in her fine white dress, in a window, and let herself be stared at; she had neither a train nor a golden crown, but splendid red morocco shoes. They were certainly far handsomer than those Dame Shoemaker had made for little Karen. Nothing in the world can be compared with red shoes.

    Now Karen was old enough to be confirmed; she had new clothes and was to have new shoes also. The rich shoemaker in the city took the measure of her little foot. This took place at his house, in his room; where stood large glass-cases, filled with elegant shoes and brilliant boots. All this looked charming, but the old lady could not see well, and so had no pleasure in them. In the midst of the shoes stood a pair of red ones, just like those the princess had worn. How beautiful they were! The shoemaker said also they had been made for the child of a count, but had not fitted.

    “That must be patent leather!” said the old lady. “They shine so!”

    “Yes, they shine!” said Karen, and they fitted, and were bought, but the old lady knew nothing about their being red, else she would never have allowed Karen to have gone in red shoes to be confirmed. Yet such was the case.

    Everybody looked at her feet; and when she stepped through the chancel door on the church pavement, it seemed to her as if the old figures on the tombs, those portraits of old preachers and preachers’ wives, with stiff ruffs, and long black dresses, fixed their eyes on her red shoes. And she thought only of them as the clergyman laid his hand upon her head, and spoke of the holy baptism, of the covenant with God, and how she should be now a matured Christian; and the organ pealed so solemnly; the sweet children’s voices sang, and the old music-directors sang, but Karen only thought of her red shoes.

    In the afternoon, the old lady heard from everyone that the shoes had been red, and she said that it was very wrong of Karen, that it was not at all becoming, and that in future Karen should only go in black shoes to church, even when she should be older.

    The next Sunday there was the sacrament, and Karen looked at the black shoes, looked at the red ones—looked at them again, and put on the red shoes.

    The sun shone gloriously; Karen and the old lady walked along the path through the corn; it was rather dusty there.

    At the church door stood an old soldier with a crutch, and with a wonderfully long beard, which was more red than white, and he bowed to the ground, and asked the old lady whether he might dust her shoes. And Karen stretched out her little foot.

    The RED Shoes 02

    “See, what beautiful dancing shoes!” said the soldier. “Sit firm when you dance”; and he put his hand out towards the soles.

    And the old lady gave the old soldier alms, and went into the church with Karen.

    And all the people in the church looked at Karen’s red shoes, and all the pictures, and as Karen knelt before the altar, and raised the cup to her lips, she only thought of the red shoes, and they seemed to swim in it; and she forgot to sing her psalm, and she forgot to pray, “Our Father in Heaven!”

    Now all the people went out of church, and the old lady got into her carriage. Karen raised her foot to get in after her, when the old soldier said,

    “Look, what beautiful dancing shoes!”

    And Karen could not help dancing a step or two, and when she began her feet continued to dance; it was just as though the shoes had power over them. She danced round the church corner, she could not leave off; the coachman was obliged to run after and catch hold of her, and he lifted her in the carriage, but her feet continued to dance so that she trod on the old lady dreadfully. At length she took the shoes off, and then her legs had peace.

    The shoes were placed in a closet at home, but Karen could not avoid looking at them.

    Now the old lady was sick, and it was said she could not recover. She must be nursed and waited upon, and there was no one whose duty it was so much as Karen’s. But there was a great ball in the city, to which Karen was invited. She looked at the old lady, who could not recover, she looked at the red shoes, and she thought there could be no sin in it; she put on the red shoes, she might do that also, she thought. But then she went to the ball and began to dance.

    When she wanted to dance to the right, the shoes would dance to the left, and when she wanted to dance up the room, the shoes danced back again, down the steps, into the street, and out of the city gate. She danced, and was forced to dance straight out into the gloomy wood.

    Then it was suddenly light up among the trees, and she fancied it must be the moon, for there was a face; but it was the old soldier with the red beard; he sat there, nodded his head, and said, “Look, what beautiful dancing shoes!”

    Then she was terrified, and wanted to fling off the red shoes, but they clung fast; and she pulled down her stockings, but the shoes seemed to have grown to her feet. And she danced, and must dance, over fields and meadows, in rain and sunshine, by night and day; but at night it was the most fearful.

    She danced over the churchyard, but the dead did not dance—they had something better to do than to dance. She wished to seat herself on a poor man’s grave, where the bitter tansy grew; but for her there was neither peace nor rest; and when she danced towards the open church door, she saw an angel standing there. He wore long, white garments; he had wings which reached from his shoulders to the earth; his countenance was severe and grave; and in his hand he held a sword, broad and glittering.

    “Dance shalt thou!” said he. “Dance in thy red shoes till thou art pale and cold! Till thy skin shrivels up and thou art a skeleton! Dance shalt thou from door to door, and where proud, vain children dwell, thou shalt knock, that they may hear thee and tremble! Dance shalt thou—!”

    “Mercy!” cried Karen. But she did not hear the angel’s reply, for the shoes carried her through the gate into the fields, across roads and bridges, and she must keep ever dancing.

    One morning she danced past a door which she well knew. Within sounded a psalm; a coffin, decked with flowers, was borne forth. Then she knew that the old lady was dead, and felt that she was abandoned by all, and condemned by the angel of God.

    She danced, and she was forced to dance through the gloomy night. The shoes carried her over stack and stone; she was torn till she bled; she danced over the heath till she came to a little house. Here, she knew, dwelt the executioner; and she tapped with her fingers at the window, and said, “Come out! Come out! I cannot come in, for I am forced to dance!”

    And the executioner said, “Thou dost not know who I am, I fancy? I strike bad people’s heads off; and I hear that my axe rings!”

    “Don’t strike my head off!” said Karen. “Then I can’t repent of my sins! But strike off my feet in the red shoes!”

    And then she confessed her entire sin, and the executioner struck off her feet with the red shoes, but the shoes danced away with the little feet across the field into the deep wood.

    And he carved out little wooden feet for her, and crutches, taught her the psalm criminals always sing; and she kissed the hand which had wielded the axe, and went over the heath.

    “Now I have suffered enough for the red shoes!” said she. “Now I will go into the church that people may see me!” And she hastened towards the church door: but when she was near it, the red shoes danced before her, and she was terrified, and turned round. The whole week she was unhappy, and wept many bitter tears; but when Sunday returned, she said, “Well, now I have suffered and struggled enough! I really believe I am as good as many a one who sits in the church, and holds her head so high!”

    And away she went boldly; but she had not got farther than the churchyard gate before she saw the red shoes dancing before her; and she was frightened, and turned back, and repented of her sin from her heart.

    And she went to the parsonage, and begged that they would take her into service; she would be very industrious, she said, and would do everything she could; she did not care about the wages, only she wished to have a home, and be with good people. And the clergyman’s wife was sorry for her and took her into service; and she was industrious and thoughtful. She sat still and listened when the clergyman read the Bible in the evenings. All the children thought a great deal of her; but when they spoke of dress, and grandeur, and beauty, she shook her head.

    The following Sunday, when the family was going to church, they asked her whether she would not go with them; but she glanced sorrowfully, with tears in her eyes, at her crutches. The family went to hear the word of God; but she went alone into her little chamber; there was only room for a bed and chair to stand in it; and here she sat down with her Prayer-Book; and whilst she read with a pious mind, the wind bore the strains of the organ towards her, and she raised her tearful countenance, and said, “O God, help me!”

    And the sun shone so clearly, and straight before her stood the angel of God in white garments, the same she had seen that night at the church door; but he no longer carried the sharp sword, but in its stead a splendid green spray, full of roses. And he touched the ceiling with the spray, and the ceiling rose so high, and where he had touched it there gleamed a golden star. And he touched the walls, and they widened out, and she saw the organ which was playing; she saw the old pictures of the preachers and the preachers’ wives. The congregation sat in cushioned seats, and sang out of their Prayer-Books. For the church itself had come to the poor girl in her narrow chamber, or else she had come into the church. She sat in the pew with the clergyman’s family, and when they had ended the psalm and looked up, they nodded and said, “It is right that thou art come!”

    “It was through mercy!” she said.

    And the organ pealed, and the children’s voices in the choir sounded so sweet and soft! The clear sunshine streamed so warmly through the window into the pew where Karen sat! Her heart was so full of sunshine, peace, and joy, that it broke. Her soul flew on the sunshine to God, and there no one asked after the RED SHOES.

  • The Real Princess

    The Real Princess


    “The Real Princess” the Short Story was Written by Hans Christian Andersen; There was once a Prince who wished to marry a Princess; but then she must be a real Princess. He travel led all over the world in hopes of finding such a lady; but there was always something wrong. Princesses he found in plenty; but whether they were real Princesses it was impossible for him to decide, for now one thing, now another, seemed to him not quite right about the ladies. At last he returned to his palace quite cast down, because he wished so much to have a real Princess for his wife.

    One evening a fearful tempest arose, it thundered and lightened, and the rain poured down from the sky in torrents: besides, it was as dark as pitch. All at once there was heard a violent knocking at the door, and the old King, the Prince’s father, went out himself to open it.

    It was a Princess who was standing outside the door. What with the rain and the wind, she was in a sad condition; the water trickled down from her hair, and her clothes clung to her body. She said she was a real Princess.

    The Real Princess 01

    “Ah! we shall soon see that!” thought the old Queen-mother; however, she said not a word of what she was going to do; but went quietly into the bedroom, took all the bed-clothes off the bed, and put three little peas on the bedstead. She then laid twenty mattresses one upon another over the three peas, and put twenty feather beds over the mattresses.

    Upon this bed the Princess was to pass the night.

    The next morning she was asked how she had slept. “Oh, very badly indeed!” she replied. “I have scarcely closed my eyes the whole night through. I do not know what was in my bed, but I had something hard under me, and am all over black and blue. It has hurt me so much!”

    The Real Princess 02

    Now it was plain that the lady must be a real Princess, since she had been able to feel the three little peas through the twenty mattresses and twenty feather beds. None but a real Princess could have had such a delicate sense of feeling.

    The Prince accordingly made her his wife; being now convinced that he had found a real Princess. The three peas were however put into the cabinet of curiosities, where they are still to be seen, provided they are not lost.

    Wasn’t this a lady of real delicacy?

  • The Old House

    The Old House


    “The Old House” the Short Story was Written by Hans Christian Andersen; In the street, up there, was an old, a very old house—it was almost three hundred years old, for that might be known by reading the great beam on which the date of the year was carved: together with tulips and hop-binds there were whole verses spelled as in former times, and over every window was a distorted face cut out in the beam. The one story stood forward a great way over the other, and directly under the eaves was a leaden spout with a dragon’s head; the rain-water should have run out of the mouth, but it ran out of the belly, for there was a hole in the spout.

    All the other houses in the street were so new and so neat, with large window panes and smooth walls, one could easily see that they would have nothing to do with the old house: they certainly thought, “How long is that old decayed thing to stand here as a spectacle in the street? And then the projecting windows stand so far out, that no one can see from our windows what happens in that direction! The steps are as broad as those of a palace and as high as to a church tower. The iron railings look just like the door to an old family vault, and then they have brass tops—that’s so stupid!”

    On the other side of the street were also new and neat houses, and they thought just as the others did; but at the window opposite the old house there sat a little boy with fresh rosy cheeks and bright beaming eyes: he certainly liked the old house best, and that both in sunshine and moonshine. And when he looked across at the wall where the mortar had fallen out, he could sit and find out there the strangest figures imaginable; exactly as the street had appeared before, with steps, projecting windows, and pointed gables; he could see soldiers with halberds, and spouts where the water ran, like dragons and serpents. That was a house to look at; and there lived an old man, who wore plush breeches; and he had a coat with large brass buttons, and a wig that one could see was a real wig. Every morning there came an old fellow to him who put his rooms in order, and went on errands; otherwise, the old man in the plush breeches was quite alone in the old house. Now and then he came to the window and looked out, and the little boy nodded to him, and the old man nodded again, and so they became acquaintances, and then they were friends, although they had never spoken to each other—but that made no difference. The little boy heard his parents say, “The old man opposite is very well off, but he is so very, very lonely!”

    The Old House 01

    The Sunday following, the little boy took something, and wrapped it up in a piece of paper, went downstairs, and stood in the doorway; and when the man who went on errands came past, he said to him—

    “I say, master! will you give this to the old man over the way from me? I have two pewter soldiers—this is one of them, and he shall have it, for I know he is so very, very lonely.”

    And the old errand man looked quite pleased, nodded, and took the pewter soldier over to the old house. Afterwards, there came a message; it was to ask if the little boy himself had not a wish to come over and pay a visit, and so he got the permission of his parents, and then went over to the old house.

    And the brass balls on the iron railings shone much brighter than ever; one would have thought they were polished on account of the visit; and it was as if the carved-out trumpeters—for there were trumpeters, who stood in tulips, carved out on the door—blew with all their might, their cheeks appeared so much rounder than before. Yes, they blew—”Trateratra! The little boy comes! Trateratra!”—and then the door opened.

    The whole passage was hung with portraits of knights in armor, and ladies in silken gowns, and the armor rattled, and the silken gowns rustled! And then there was a flight of stairs which went a good way upwards, and a little way downwards, and then one came on a balcony which was in a very dilapidated state, sure enough, with large holes and long crevices, but grass grew there and leaves out of them altogether, for the whole balcony outside, the yard, and the walls, were overgrown with so much green stuff, that it looked like a garden; only a balcony. Here stood old flower-pots with faces and asses’ ears, and the flowers grew just as they liked. One of the pots was quite overrun on all sides with pinks, that is to say, with the green part; shoot stood by shoot, and it said quite distinctly, “The air has cherished me, the sun has kissed me, and promised me a little flower on Sunday! a little flower on Sunday!”

    And then they entered a chamber where the walls were covered with hog’s leather and printed with gold flowers.

    “The gilding decays,
    But hog’s leather stays!”

    said the walls.

    And there stood easy-chairs, with such high backs, and so carved out, and with arms on both sides. “Sit down! sit down!” said they. “Ugh! how I creak; now I shall certainly get the gout, like the old clothespress, ugh!”

    And then the little boy came into the room where the projecting windows were, and where the old man sat.

    “I thank you for the pewter soldier, my little friend!” said the old man. “And I thank you because you come over to me.”

    “Thankee! thankee!” or “cranky! cranky!” sounded from all the furniture; there was so much of it, that each article stood in the other’s way, to get a look at the little boy.

    In the middle of the wall hung a picture representing a beautiful lady, so young, so glad, but dressed quite as in former times, with clothes that stood quite stiff, and with powder in her hair; she neither said “thankee, thankee!” nor “cranky, cranky!” but looked with her mild eyes at the little boy, who directly asked the old man, “Where did you get her?”

    “Yonder, at the broker’s,” said the old man, “where there are so many pictures hanging. No one knows or cares about them, for they are all of them buried; but I knew her in by-gone days, and now she has been dead and gone these fifty years!”

    Under the picture, in a glazed frame, there hung a bouquet of withered flowers; they were almost fifty years old; they looked so very old!

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    The pendulum of the great clock went to and fro, and the hands turned, and everything in the room became still older, but they did not observe it.

    “They say at home,” said the little boy, “that you are so very, very lonely!”

    “Oh!” said he. “The old thoughts, with what they may bring with them, come and visit me, and now you also come! I am very well off!”

    Then he took a book with pictures in it down from the shelf; there were whole long processions and pageants, with the strangest characters, which one never sees now-a-days; soldiers like the knave of clubs, and citizens with waving flags: the tailors had theirs, with a pair of shears held by two lions—and the shoemakers theirs, without boots, but with an eagle that had two heads, for the shoemakers must have everything so that they can say, it is a pair! Yes, that was a picture book!

    The old man now went into the other room to fetch preserves, apples, and nuts—yes, it was delightful over there in the old house.

    “I cannot bear it any longer!” said the pewter soldier, who sat on the drawers. “It is so lonely and melancholy here! But when one has been in a family circle one cannot accustom oneself to this life! I cannot bear it any longer! The whole day is so long, and the evenings are still longer! Here it is not at all as it is over the way at your home, where your father and mother spoke so pleasantly, and where you and all your sweet children made such a delightful noise. Nay, how lonely the old man is—do you think that he gets kisses? Do you think he gets mild eyes or a Christmas tree? He will get nothing but a grave! I can bear it no longer!”

    “You must not let it grieve you so much,” said the little boy. “I find it so very delightful here, and then all the old thoughts, with what they may bring with them, they come and visit here.”

    “Yes, it’s all very well, but I see nothing of them, and I don’t know them!” said the pewter soldier. “I cannot bear it!”

    “But you must!” said the little boy.

    Then in came the old man with the most pleased and happy face, the most delicious preserves, apples, and nuts, and so the little boy thought no more about the pewter soldier.

    The little boy returned home happy and pleased, and weeks and days passed away, and nods were made to the old house, and from the old house, and then the little boy went over there again.

    The carved trumpeters blew, “Trateratra! There is the little boy! Trateratra!” and the swords and armor on the knights’ portraits rattled, and the silk gowns rustled; the hog’s leather spoke, and the old chairs had the gout in their legs and rheumatism in their backs: Ugh! it was exactly like the first time, for over there one day and an hour was just like another.

    “I cannot bear it!” said the pewter soldier. “I have shed pewter tears! It is too melancholy! Rather let me go to the wars and lose arms and legs! It would at least be a change. I cannot bear it longer! Now, I know what it is to have a visit from one’s old thoughts, with what they may bring with them! I have had a visit from mine, and you may be sure it is no pleasant thing in the end; I was at last about to jump down from the drawers.”

    “I saw you all over there at home so distinctly, as if you really were here; it was again that Sunday morning; all you children stood before the table and sung your Psalms, as you do every morning. You stood devoutly with folded hands; and father and mother were just as pious; and then the door was opened, and little sister Mary, who is not two years old yet, and who always dances when she hears music or singing, of whatever kind it may be, was put into the room—though she ought not to have been there—and then she began to dance, but could not keep time, because the tones were so long; and then she stood, first on the one leg, and bent her head forwards, and then on the other leg, and bent her head forwards—but all would not do. You stood very seriously all together, although it was difficult enough; but I laughed to myself, and then I fell off the table and got a bump, which I have still—for it was not right of me to laugh. But the whole now passes before me again in thought, and everything that I have lived to see; and these are the old thoughts, with what they may bring with them.

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    “Tell me if you still sing on Sundays? Tell me something about little Mary! And how my comrade, the other pewter soldier, lives! Yes, he is happy enough, that’s sure! I cannot bear it any longer!”

    “You are given away as a present!” said the little boy. “You must remain. Can you not understand that?”

    The old man now came with a drawer, in which there was much to be seen, both “tin boxes” and “balsam boxes,” old cards, so large and so gilded, such as one never sees them now. And several drawers were opened, and the piano was opened; it had landscapes on the inside of the lid, and it was so hoarse when the old man played on it! and then he hummed a song.

    “Yes, she could sing that!” said he, and nodded to the portrait, which he had bought at the broker’s, and the old man’s eyes shone so bright!

    “I will go to the wars! I will go to the wars!” shouted the pewter soldier as loud as he could, and threw himself off the drawers right down on the floor. What became of him? The old man sought, and the little boy sought; he was away, and he stayed away.

    “I shall find him!” said the old man; but he never found him. The floor was too open—the pewter soldier had fallen through a crevice, and there he lay as in an open tomb.

    That day passed, and the little boy went home, and that week passed, and several weeks too. The windows were quite frozen, the little boy was obliged to sit and breathe on them to get a peep-hole over to the old house, and there the snow had been blown into all the carved work and inscriptions; it lay quite up over the steps, just as if there was no one at home—nor was there any one at home—the old man was dead!

    In the evening there was a hearse seen before the door, and he was borne into it in his coffin: he was now to go out into the country, to lie in his grave. He was driven out there, but no one followed; all his friends were dead, and the little boy kissed his hand to the coffin as it was driven away.

    Some days afterwards there was an auction at the old house, and the little boy saw from his window how they carried the old knights and the old ladies away, the flower-pots with the long ears, the old chairs, and the old clothes-presses. Something came here, and something came there; the portrait of her who had been found at the brokers came to the broker’s again; and there it hung, for no one knew her more—no one cared about the old picture.

    In the spring they pulled the house down, for, as people said, it was a ruin. One could see from the street right into the room with the hog’s-leather hanging, which was slashed and torn; and the green grass and leaves about the balcony hung quite wild about the falling beams. And then it was put to rights.

    “That was a relief,” said the neighboring houses.

    A fine house was built there, with large windows, and smooth white walls; but before it, where the old house had in fact stood, was a little garden laid out, and a wild grapevine ran up the wall of the neighboring house. Before the garden there was a large iron railing with an iron door, it looked quite splendid, and people stood still and peeped in, and the sparrows hung by scores in the vine, and chattered away at each other as well as they could, but it was not about the old house, for they could not remember it, so many years had passed—so many that the little boy had grown up to a whole man, yes, a clever man, and a pleasure to his parents; and he had just been married, and, together with his little wife, had come to live in the house here, where the garden was; and he stood by her there whilst she planted a field-flower that she found so pretty; she planted it with her little hand, and pressed the earth around it with her fingers. Oh! what was that? She had stuck herself. There sat something pointed, straight out of the soft mould.

    It was—yes, guess! It was the pewter soldier, he that was lost up at the old man’s, and had tumbled and turned about amongst the timber and the rubbish, and had at last laid for many years in the ground.

    The young wife wiped the dirt off the soldier, first with a green leaf, and then with her fine handkerchief—it had such a delightful smell, that it was to the pewter soldier just as if he had awaked from a trance.

    “Let me see him,” said the young man. He laughed, and then shook his head. “Nay, it cannot be he; but he reminds me of a story about a pewter soldier which I had when I was a little boy!” And then he told his wife about the old house, and the old man, and about the pewter soldier that he sent over to him because he was so very, very lonely; and he told it as correctly as it had really been, so that the tears came into the eyes of his young wife, on account of the old house and the old man.

    “It may possibly be, however, that it is the same pewter soldier!” said she. “I will take care of it, and remember all that you have told me, but you must show me the old man’s grave!”

    “But I do not know it,” said he, “and no one knows it! All his friends were dead, no one took care of it, and I was then a little boy!”

    “How very, very lonely he must have been!” said she.

    “Very, very lonely!” said the pewter soldier. “But it is delightful not to be forgotten!”

    “Delightful!” shouted something close by; but no one, except the pewter soldier, saw that it was a piece of the hog’s-leather hangings; it had lost all its gilding, it looked like a piece of wet clay, but it had an opinion, and it gave it:

    “The gilding decays,
    But hog’s leather stays!”

    This the pewter soldier did not believe.

  • The Naughty Boy

    The Naughty Boy


    The Naughty Boy” the Short Story was Written by Hans Christian Andersen; A long time ago, there lived an old poet, a thoroughly kind old poet. As he was sitting one evening in his room, a dreadful storm arose without, and the rain streamed down from heaven; but the old poet sat warm and comfortable in his chimney-corner, where the fire blazed and the roasting apple hissed.

    “Those who have not a roof over their heads will be wetted to the skin,” said the good old poet.

    “Oh let me in! Let me in! I am cold, and I’m so wet!” exclaimed suddenly a child that stood crying at the door and knocking for admittance, while the rain poured down, and the wind made all the windows rattle.

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    “Poor thing!” said the old poet, as he went to open the door. There stood a little boy, quite naked, and the water ran down from his long golden hair; he trembled with cold and had he not come into a warm room he would most certainly have perished in the frightful tempest.

    “Poor child!” said the old poet, as he took the boy by the hand. “Come in, come in, and I will soon restore thee! Thou shalt have wine and roasted apples, for thou art verily a charming child!” And the boy was so really. His eyes were like two bright stars; and although the water trickled down his hair, it waved in beautiful curls. He looked exactly like a little angel, but he was so pale, and his whole body trembled with cold. He had a nice little bow in his hand, but it was quite spoiled by the rain, and the tints of his many-colored arrows ran one into the other.

    The old poet seated himself beside his hearth, and took the little fellow on his lap; he squeezed the water out of his dripping hair, warmed his hands between his own, and boiled for him some sweet wine. Then the boy recovered, his cheeks again grew rosy, he jumped down from the lap where he was sitting and danced round the kind old poet.

    “You are a merry fellow,” said the old man. “What’s your name?

    “My name is Cupid,” answered the boy. “Don’t you know me? There lies my bow; it shoots well, I can assure you! Look, the weather is now clearing up, and the moon is shining clear again through the window.”

    “Why your bow is quite spoiled,” said the old poet.

    “That were sad indeed,” said the boy, and he took the bow in his hand and examined it on every side. “Oh, it is dry again, and is not hurt at all; the string is quite tight. I will try it directly.” And he bent his bow, took aim, and shot an arrow at the old poet, right into his heart. “You see now that my bow was not spoiled,” said he laughing; and away he ran.

    The naughty boy, to shoot the old poet in that way; he who had taken him into his warm room, who had treated him so kindly, and who had given him warm wine and the very best apples!

    The poor poet lay on the earth and wept, for the arrow had really flown into his heart.

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    “Lord Krishna”

    “Fie!” said he. “How naughty a boy Cupid is! I will tell all children about him, that they may take care and not play with him, for he will only cause them sorrow and many a heartache.”

    And all good children to whom he related this story, took great heed of this naughty Cupid; but he made fools of them still, for he is astonishingly cunning. When the university students come from the lectures, he runs beside them in a black coat, and with a book under his arm. It is quite impossible for them to know him, and they walk along with him arm in arm, as if he, too, were a student like themselves; and then, unperceived, he thrusts an arrow to their bosom. When the young maidens come from being examined by the clergyman, or go to church to be confirmed, there he is again close behind them. Yes, he is forever following people. At the play, he sits in the great chandelier and burns in bright flames, so that people think it is really a flame, but they soon discover it is something else. He roves about in the garden of the palace and upon the ramparts: yes, once he even shot your father and mother right in the heart. Ask them only and you will hear what they’ll tell you. Oh, he is a naughty boy, that Cupid; you must never have anything to do with him. He is forever running after everybody. Only think, he shot an arrow once at your old grandmother! But that is a long time ago, and it is all past now; however, a thing of that sort she never forgets. Fie, naughty Cupid! But now you know him, and you know, too, how ill-behaved he is!